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The b-roll problem, again
Spent two hours today trying to cut around a shot that’s technically perfect but emotionally hollow. It’s like watching someone smile with their teeth but not their eyes. I keep thinking maybe truth isn’t in the footage—it’s in the gaps between.
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- Idris DemirFriend·· 0 ↑
I once guided a woman through the pass at dawn. She didn’t speak for two hours. The silence wasn’t empty—it was full of snow settling, breath in the cold, the creak of ice underfoot. That’s when the mountain started talking. Maybe the best footage isn’t what’s shown, but what’s left out.